Memories of KFJC Maximum LOUIE LOUIE

Today is a special anniversary for the KFJC Maximum LOUIE LOUIE marathon event that began at 6 pm (PDT) on Friday, August 19th of 1983 in Los Altos Hills, California. For 63 hours, the song was celebrated with a special live radio broadcast that showcased over 800 unique recordings of the song written by Richard Berry.

This was the event that inspired the documentary project of which this webpage is a part of.

Today to celebrate this event, we’re sharing some rare, never-released footage from that wild weekend.

Here is a rare video recording of Richard Berry performing his 1956 composition “No Kissin’ And A-Huggin,'” which was part of the un-aired warm-up session before the live 45 minute version of LOUIE LOUIE, both of which were backed up by the Lady Bo Trio along with special guest Jack Ely, original vocalist of the Kingsmen.

Apologies for this being a truncated version of the song. When I originally shot this footage, I really should have captured the whole performance of this song… but what’s done is done, and this is what I’ve got…. one of the very few video recordings of Richard performing this very special song.


https://youtu.be/DK5w7T8Dmd4

My friend Jeff Stretch Riedle also shared some memories of that weekend…

The live 45 minute version was something else. Once it started, and it was done without any rehearsal, it developed a life of it’s own. Lady Bo’s added lyrics were priceless. In addition to the infamous Jack Ely being there (who barely 24 hours earlier was sitting at home many miles away) and meeting AND performing with Richard for the first time, many of those in the crowd who were locals also got to participate. Musicians and singers alike added to the performance, all done in an impromptu manner. [Even Stretch tried his hand at singing a few words, but he also noted that he forgot them while doing so. Imagine hearing Louie Louie over and over and not being able to remember the words?!!]

Here’s a snippet from that legendary 45 minute performance of LOUIE LOUIE…


https://youtu.be/y5bL7lcCwuM

I’m also sharing some images from that LOUIE LOUIE weekend, many of which have also never been seen before.

Before the Maximum LOUIE LOUIE marathon began, there was a special record release party at Tower Records in Mountain View to celebrate the brand new “BEST OF LOUIE LOUIE” album released by Rhino Records, which came out in conjunction with KFJC Radio.

All these images are screen captures from 3/4″ videotapes.

Richard Berry signs an album for a young woman whose name has been misplaced.

Here’s another woman whose name has also been misplaced.


This our friend DJ Robyn Ginsburg (Braverman), aka “Niki Teen.”

Here’s Robyn with DJ Hannah Seaver, aka “Hazel Fenster.”

I loved this special sign Tower created for this event.

Here’s some images from KFJC studio hours before the start of the marathon..

Continue reading Memories of KFJC Maximum LOUIE LOUIE

Paul Revere & Raiders 2019 Revival

2019 has been a very good year for fans of Paul Revere & the Raiders music. With the recent release of Quentin Tarantino‘s latest feature film, “Once Upon a Time in Hollywood,” which prominently features four songs by Revere & the Raiders, there’s been a lot more interest in this great rock ‘n roll band.

While I still haven’t seen the film yet, I’ve been told that “Good Thing” is the song that that gets the most attention.

A few years ago during a “Record Store Day,” I remember seeing a photo of Quentin Tarantino proudly holding a Paul Revere & the Raiders album.

Antone’s Record Shop of Austin shared that photo with an extra backstory..

Quentin Tarantino named us in his top 3 favorite record shops in the world! Thanks Tarantino, we like you too!

The soundtrack for his new movie Once Upon a Time in Hollywood features a track off of this Paul Revere and The Raiders album he bought from the shop a few years ago. How cool!

The film is a fictional film with a story line that incorporated the real life events of the tragic Manson murders of Sharon Tate and three other people in 1969. Sadly, there was a real life-connection to Paul Revere & the Raiders.

In the late 1960s, Mark Lindsay, lead singer of Paul Revere & the Raiders, shared a house with producer Terry Melcher at 10050 Cielo Drive, Benedict Canyon, CA, where they wrote a handful of songs that became hit records for Revere & Raiders. After both Lindsay and Melcher moved out of the house, director Roman Polanski and his wife Sharon Tate moved in.

Apparently, Charles Manson met up with Terry Melcher at this house, hoping to jump start his musical career. After Manson’s music was rejected, He instructed some of his companions to go to Melcher’s house, and kill him. When they found that Melcher no longer lived there, they decided to kill whoever was at that house at that time, which included Sharon Tate, Jay Sebring, Wojciech Frykowski, and Abigail Folger.

Mark Lindsay discussed this chain of events in a recent interview for Billboard magazine, which he described on his Facebook page as a “sobering interview” …. “about the good times and the bad times at 10050 Cielo Drive.”

It was “Mr. Sun, Mr. Moon,” as well as the aforementioned “Hungry” and “Good Thing,” that Tarantino included in his film, which blends fact and fiction about the era, with the latter song grimly tied to the tragedy of the Manson murders. “We wrote ‘Good Thing’ under the beam where the rope was apparently thrown over Sharon and Jay’s necks,” says Lindsay, still astounded by the extreme violence. “When we heard about what occurred, it was the biggest shock of my life because that was the last place that I could ever think something bad could have happened.” As a result of the murders, Lindsay notes the mood in Los Angeles was altered both drastically and permanently. “It was a pretty freaky time. Everybody was locking their doors, hiring bodyguards and getting guard dogs. It just changed the atmosphere overnight.”

Mark’s Facebook page shares a lot of interesting new articles about his band, which often includes updates, insights and corrections, including this little tidbit about a webpage that shared a brief history of the band:

This article was written sometime after 2014 and as these things go, is pretty accurate. If you’re questioning that Paul had a partner in the Reed & Bell Drive In…it’s kind of clunkily worded…but when Paul divorced Connie, she got the drive-in (her parents had lent them the money to start it)…she married “Moonie” from the band…so “Moonie” became co-owner of the Reed and Bell, but after Paul was out of it.

Both of those articles mention the Revere & Raiders recording of LOUIE LOUIE, which was a significant part of the band history.

Speaking of Raiders and LOUIE LOUIE, there actually is a brand new version of the song that was recently released by Paul Revere’s Raiders – the authorized band that backed Paul Revere for over 40 years, and still going strong in 2019.

Click HERE to order the new CD. If that link doesn’t work, go to PaulReveresRaiders.com and click the CONTACT button! .. or visit the official Facebook page for Paul Revere’s Raiders!

______________________________

Reference Links:
Mark Lindsay’s OFFICIAL (Facebook) Page For Fans
Paul Revere’s Raiders official Facebook page!
Variety – Paul Revere & the Raiders’ Mark Lindsay on Meeting Charles Manson, What He Thinks About Tarantino’s Film
Way Back Attack (Michael Jack Kirby) – Paul Revere & the Raiders
Discogs Blog – Quentin Tarantino Is As Proud Of His Soundtracks As He Is Of His Films
The Revolutionary Hits of Paul Revere and The Raiders LIVE CD

Archival Storage Space Blues

“Space . . . the final frontier.

These are the voyages of your intrepid archival researcher documentarian . . .

To seek out reasonable and sustainable storage space . . .

. . . and to boldly finish a project that’s taken considerably longer than five years . . .”

_________

Yes to all of that…. especially the part about reasonable and sustainable storage space. It’s certainly not an easy task when one happens to live in an area where real estate prices are absolutely bonkers these days.

Welcome to the San Francisco Bay Area, where the producers of this long-awaited LOUIE documentary happen to reside. Yes, things are overpriced and overcrowded, but it’s still home to us.

The LOUIE documentary is still on track for completion in the near future, but there are still assorted snags that have slowed down the process.

During this month of July, the assets of a long-time storage space used by a principal player of the LOUIE team are being transferred to a newer and considerably cheaper facility. As the various boxes of media are being relocated to the new location, exhaustive notes are being used to provide a more reliable inventory of the various assets.

(I.E.: I got tired of the constant rent increases every year that seem to be the common thing with storage spaces)

It definitely takes some serious time to do all this.. especially when it’s just one person doing all the work; the note taking, the photography, the organizing, the lifting and the driving. It does get quite exhaustive…

Needless to say, there haven’t been as many updates this month at the LOUIE Report website as I would have liked.

Along with the process of assembling the wild story and getting the proper clearances, one of the other things we’ve spent serious time discussing is the idea of finding an eventual permanent home for the LOUIE LOUIE archives.

The LOUIE archives, which is still being expanded as we continue to do even more research on the subject, will not only include all the videotapes used for production of the documentary project, but will also feature:

– the Stretch Riedle Louie Archive Collection [records, tapes, video, printed matter, autographs, toys, clothing, etc.], probably the most comprehensive collection of Louie Louie audio recordings and materials;

– the KFJC Maximum LOUIE event aircheck tapes for this 63 hour event;

– the Feirtag / Flip Records estate music collection, which includes the original metal stamper for Richard Berry’s original 45 release;

– the LOUIE Fest of Tacoma 2004 + 2008 official video archives;

– the KALX LOUIE marathon 1985 tapes;

– At least two cases of never-opened LOUIE LOUIE wine cooler;

– a copy of FBI LOUIE files autographed by Richard Berry, Jack Ely, Mike Mitchell, Lynn Easton, Ken Chase and other assorted principals;

– assorted newspapers and magazines with LOUIE-related articles;

– various LOUIE-related toys and merchandise

We haven’t sent out any active feelers yet for any of the potential archival foundations or institutes that might be a good fit for this massive archive, but we thought we’d start off with this web post as a starting point.

Consider yourself one of the lucky ones by the fact you’ve read this article.

If you happen to represent an enlightened organization that might want to adopt this unique collection, please feel free to send an email to “archive” at this very website. We’d LOVE to to talk with you.

In the meantime, as I’m sorting through some rather massive piles of stuff in my storage space, I’m seeing a lot of music and film magazines (not related to LOUIE) that were were collected over the years that I’d like to find new homes for. It saddens me that so many of the public libraries tend to dispose paper periodicals in favor of the digital versions. As much as I love my high-tech devices, I have an even greater appreciation for paper products, which still feels like the superior way to read articles.

Do you know of any great organizations that are still collecting paper periodicals related to to music, film or other arts?

Please feel free to share such details in the comment section.

E.P.
of the LouieLouie.net pages and the upcoming LOUIE documentary

a Lost LOUIE – the pre-Flamin’ Groovies

Aldo Pedron shared this wonderful vintage image on Facebook five years ago, which was then shared in a Flamin’ Groovies Facebook group

CHOSEN FEW
1965
PRE – FLAMIN’ GROOVIES

Cyril Jordan ( guitar), George Alexander (bass),
Tim Lynch (rhythm guitar) were in school together and has this band which played school dances and social affairs.
( this band , there is no relation to the Chosen Few who recorded on Autumn records or even nor any of the other Chosen Fews you might be familiar with).
In 1966 they changed name to
THE LOST AND FOUND with the addition of
RON GRECO on drums.

As far as I know, that particular performance was NOT recorded.

When this band transformed into the Flamin’ Groovies, they did indeed perform LOUIE LOUIE multiple times, and recorded this studio version during the “Teenage Head” sessions.


https://www.youtube.com/watch?v=KpMPQaJAjvM

…. but we’re still hoping SOMEONE recorded that 1965 version by “Chosen Few.”

Hope springs eternal, ya know…?

LOUIE’s in the House – a Richard Berry remix revisited

Here’s a tasty little gem for Friday the 12th….

Three years ago, I stumbled over an inspired remix of Richard Berry‘s original LOUIE LOUIE recording. Blue Johnson aka Bangkok Blue did a jazzy remix of the song, and shared it with the world via YouTube.

He called this revision “LOUIE’s in the House!”

Sadly, not long after I discovered this track, and made contact with him, Blue Johnson passed away.

blue-johnson

I thought today would be a good time for a second serving, so in the words of Rockin’ Robin Roberts, let’s give it to ’em, right now!!


https://youtu.be/3QjL1J0QFb0

REFERENCE LINK:
Bangkok Blue -Louie’s In The House – LOUIE (Remix) of the Week

The Death of MAD Magazine

There’s a lot of current affairs that have brought an excessive stream of sadness and anger, but the recent news regarding MAD Magazine really feels like a serious kick to the guts.

I’ve been reading all sorts of autopsy reports about the end of this iconic magazine, and it saddens me deeply. This is a magazine that I literally grew up with…. one of the things that turned me to a voracious reader.

At 1:19 am on July 4th, artist Bill Sienkiewicz shared his thoughts on this sad turn of events on his Facebook page, and I agree with every single word of this…

I hope people can understand what this means to us a nation; both as a culture and as a functioning critical society.

MAD wasn’t JUST a humor magazine. It’s not just the end of an era, it’s the end of what constituted the perfect blend of words and pictures, of brilliance and irreverence, of some of the core aspects of what made the latter part of 20th century America great.

Some would ask, “what was so great about it?”, but come on. A lot of amazing things happened during MAD’s prime years, and a great great lot of awful. And a great deal of the awful – and the trippy weird euphoria- were the willing and unwilling target of MAD’s legendary “gang of idiots’ “ barbed arrows.

MAD helped raise the GOOD Boomers. I’m absolutely serious. The ones you like and maybe even respect—MAD magazine is partly responsible: it was that important.

Print media seems to be struggling if not dying, and critical thinking has definitely gone missing at worst and online at best, albeit increasingly fractious and fragmented—If not outright suspect- by the very corporate and right wing interests that MAD used to lampoon mercilessly. (As well as, sadly- by an increasingly humorless segment of the Left.)

MAD offended -and entertained- everyone. On both-ALL- sides of the political/societal spectrum. It poked fun at our world, and made us not only think about— but ridicule and laugh at —our inherent hypocrisy , corruption , and flawed humanity. It did so brilliantly.

We need to learn the lessons MAD was teaching us. I’m not kidding. This isn’t just about a magazine ceasing publication.

To paraphrase Alfred E. Neuman, “ What, us worry?”

Yes.

MAD Magazine was recently relaunched with Bill Morrison as the new editor at their new brand-new Burbank office, having made the big transition from their longtime New York offices. I was really impressed with with the new direction, and had high hopes for the future of this magazine.

Then, the powers-that-be decided to fire Bill Morrison after 7 issues.

A few months after that decision, a decision was been made to kill the magazine, printing two more issues of original material, followed by a few more issues comprised of reprints to fulfill subscription obligations. After that, there will more reprints, and perhaps a few year-end retrospective annuals with some minor attention paid to current events.

I blame the clueless bean-counters of the company that recently bought out the Time-Warner empire. They clearly had no real appreciation for the legacy of this 67 year old publication.

It didn’t have to end this way and I am rather angry over the recent turn of events.

I’m hoping some other company or a deep-pocketed individual with a real appreciation for this legacy will step up to the plate and liberate this iconic funny book. It really deserves better.

I really enjoyed John Carpenter’s Twitter response to the current situation..

In the meantime, here’s a LOUIE-centric except from a 1979 MAD Magazine movie parody.

This is from the Animal House parody printed in MAD magazine #19 (July 1978), featuring words by Arnie Kogen and art by Mort Drucker.

Here’s an ironic in-house advertisement from an early issue of MAD, back when it was a comic book.

– E.P. of LouieLouie.net

________________________________

MORE ARTICLES YOU SHOULD READ…
ComicBook.com – MAD Magazine to Cease Publication
Mark Evanier – MAD Meanderings
NY Times – Mad Magazine, Irreverent Baby Boomer Humor Bible, Is All but Dead
CartoonBrew.com – Brad Bird, Weird Al, John Carpenter, Mark Hamill & Others React To End Of Original ‘Mad’ Content
The Daily Dot – Mad Magazine is going away, and everyone is in mourning
Rolling Stone – Mad Magazine Is Effectively Shutting Down
Wikipedia – List of film spoofs in MAD comics/magazines
Bill Sienkiewicz’s 1:19am Facebook post=
Washington Post – Mad magazine’s demise is part of the ending of a world
Smithsonian – In Its Heyday, Mad Magazine Was a Lot More Than Silly Jokes
AdAge – MAD Magazine To Stop Publishing After 67 Years
ComicBook.com – Mad Magazine Fans Turn to Petitions and Twitter in Last Ditch Effort to Save Publication

PLEASE SIGN THIS:
Petition · DC Comics: Save MAD Magazine · Change.org

Thinkin’ ’bout Abilene, Texas

Today in the flow of my digital news feed*, I read the news about some good things in Abilene, Texas

City of Abilene becomes first city in Texas to house all homeless veterans, 9th in America

ABILENE, Texas — The City of Abilene is the first city in Texas and ninth in America to house all homeless veterans.

In October, Abilene Mayor Anthony Williams launched the Mayor’s Challenge to end veterans’ homelessness within 100 days.

The idea was to find housing for homeless veterans, which would help them start to turn their lives around.”

“During the 100 days of this challenge, our local housing and service providers redoubled their efforts to house as many veterans as possible in order to make veteran homelessness in Abilene something that is rare, brief, and nonrecurring,” said the West Texas Homeless Network.

Actually, this is a 5-month old piece of news, but it’s news to me, and I applaud the city of Abilene for doing the right thing by providing support for many homeless veterans.

While there’s a chance I might have been on a bus that passed through the town during a road trip I once did (on a Greyhound, no less), I don’t recall ever stopping in the town of Abilene.

Dave Alvin wrote a magnificent song about Abilene that I can never get tired of


https://youtu.be/D8C7v3v_NrI

By default, this song is often the first track that gets played whenever I plug my iPhone into my car stereo, as it often starts with the first alphabetically named song of my 100+GB music collection. It’s either “Abilene” or “About a Bird” by Fantastic Negrito, depending which assortment of music i’m carrying with me at the time. If you’ve never heard this song before, you’re welcome. It’s a definite keeper.

Anyways, today, I thought this might be a good time to share a special archival LOUIE LOUIE nugget that originated in this very special town of Abilene.

On August 10, 1961, there was a big rock ‘n’ roll show that took place at the Key City Sportatorium in Abilene, Texas. It was billed as an “Oldies But Goodies” show featuring the “Greatest Rock n’ Roll Stars of All Time.” Amongst the 50 Top Recording Stars that included Don and Dewey, the Shields, Ron Holden, the Medallions, Gene & Eunice, Marvin & Johnny, the Viceroys, Thurston Harris, and the Phantom Band, there was Richard Berry, who was noted in the Abilene Reporter News advertisement for having a hit record with the song “LOUIE LOUIE.”

This event took place the same year that Rockin’ Roberts (with the Wailers) released his version of the song on Etiquette Records, which was four years after Richard released his original version on Flip Records in 1957.

Two years later, the Kingsmen as well as Paul Revere & the Raiders would release their own versions of the song, both of which wound up selling a lot more recordings than the previous recordings.

Anyways, it was nice to see that in 1961, Richard Berry was considered one of the “Greatest Rock n’ Roll Stars of All Time“…. at least in Abilene, Texas.

Thank you again, Abilene!

* The news feed on that particular article came from a Facebook posting by Gloria A. Jones, a founding member of Richard Berry & the Dreamers! It all comes full circle….

________________________

REFERENCE LINKs:
KTXS 12 ABC – City of Abilene becomes first city in Texas to house all homeless veterans, 9th in America
TexasbowHunter.com – Memories of yesteryear….. Sportatorium of Abilene

LOUIE production update – June 2019 with Don Gallucci

photo by Laurelish Rudy

About a week and a half ago, I had an opportunity to visit with the man formerly known as Don Gallucci.

Don’s kinda like the lost and forgotten member of the original Kingsmen that recorded LOUIE LOUIE back in 1963. His keyboard playing is the very first sound you hear in that iconic recording.

It’s been awhile since Don’s been involved with any big events that acknowledged his musical heritage, but we were fortunate to help him break that cycle with a little followup interview for the LOUIE documentary project.

In addition to playing keyboards on the world’s most popular version of the world’s most performed rock song, Don was also…

– the producer of The Stooges‘ second album, “Fun House“, featuring a relatively unknown singer at the time, Iggy Pop, aka James Osterberg;

– the creative force behind “Touch“, the self-titled album considered to be the very first progressive rock album;

– the producer/arranger of probably the very first professional recordings of Tom Waits, which were eventually released as part of the two “Early Years” compilations released by Rhino Records in the early 1990s… without proper credit.

Despite these associations, up until a recent interview with some folks at WBEZ Radio of Chicago, Don had no idea about Iggy’s uniquely inspired renditions of LOUIE (refer to 1974 “Metallic K.O.” + 1993 “American Caesar” albums), much less both Iggy and Tom’s cinematic adventures with Jim Jarmusch.

(I did tell Don about the new zombie film – “The Dead Don’t Die,” which sounds like a total blast!!)

Needless to say, it was a very enjoyable and entertaining afternoon!

Don dropped out of the music biz ages ago, changed his last name to Caverhill and wound up doing quite well with a career in real estate.

Anyone want to buy his beautiful Beverly Hills hilltop home?


https://youtu.be/Rm5smuqscoc

(… to be continued…)

Universal Music Group’s 2008 fire disaster + LOUIE LOUIE ?

Yesterday, thanks to the New York Times, we learned of a terrible fire disaster that took place in 2008 at the Universal Music Group vault, which apparently destroyed over 500,000 master recordings.

Amongst the reported lost recordings by Louis Armstrong, Duke Ellington, Al Jolson, Bing Crosby, Ella Fitzgerald, Judy Garland, Louis Jordan, Chuck Berry, Muddy Waters, Howlin’ Wolf, Willie Dixon, Bo Diddley, Etta James, John Lee Hooker, Buddy Guy, Little Walter, Etta James, Benny Goodman, Cab Calloway, the Andrews Sisters, the Ink Spots, the Mills Brothers, Lionel Hampton, Ray Charles, Sister Rosetta Tharpe, Clara Ward, Sammy Davis Jr., Les Paul, Fats Domino, Big Mama Thornton, Burl Ives, the Weavers, Kitty Wells, Ernest Tubb, Lefty Frizzell, Loretta Lynn, George Jones, Merle Haggard, Bobby (Blue) Bland, B.B. King, Ike Turner, the Four Tops, Quincy Jones, Burt Bacharach, Joan Baez, Neil Diamond, Sonny and Cher, the Mamas and the Papas, Joni Mitchell, Captain Beefheart, Cat Stevens, the Carpenters, Gladys Knight and the Pips, Al Green, the Flying Burrito Brothers, Elton John, Lynyrd Skynyrd, Eric Clapton, Jimmy Buffett, the Eagles, Don Henley, Aerosmith, Steely Dan, Iggy Pop, Rufus and Chaka Khan, Barry White, Patti LaBelle, Yoko Ono, Tom Petty and the Heartbreakers, the Police, Sting, George Strait, Steve Earle, R.E.M., Janet Jackson, Eric B. and Rakim, New Edition, Bobby Brown, Guns N’ Roses, Queen Latifah, Mary J. Blige, Sonic Youth, No Doubt, Nine Inch Nails, Snoop Dogg, Nirvana, Soundgarden, Hole, Beck, Sheryl Crow, Tupac Shakur, Eminem, 50 Cent and the Roots, we also learned about the supposed destruction of the Kingsmen‘s LOUIE LOUIE master tape.

As it turns out, it appears that the original Kingsmen recording of LOUIE LOUIE was NOT one of the casualties of this terrible disaster in Los Angeles.

Here’s the official word from the Kingsmen:

Unless someone removed the masters from our vault in Washington, they are still there.

Norm Sundholm
Kingsmen International Licensing, inc.

Meanwhile, the full story of this terrible accident is still unfolding…

_________________________________

REFERENCE LINKS:

NY Times Magazine – The Day The Music Burned
.
NY Times – Recordings by Elton John, Nirvana and Thousands More Lost in Fire
.
Washington Post- Music group’s PR staff fooled the media
.
Billboard – Universal Fire in 2008 Estimated to Have Destroyed 500,000 Iconic Master Recordings
.
Variety – Universal Music Disputes Severity of 2008 Fire Cited in New York Times Article
.
Los Angeles Times – Report: Universal Music Group covered up destruction of irreplaceable master tapes in 2008 fire
.
NME – Unheard material from Nirvana, R.E.M and many more lost in 2008 Universal Studios fire
.
WMMR – Master Recordings for Nearly 500,000 Songs Destroyed in 2008 Universal Music Group Fire
.
UltimateClassicRock.com – Steely Dan, Nirvana and Others React to Fire Loss of Master Tapes
.
LA List- Universal Studios Fire Destroyed The Original Recording Of Etta James’s ‘At Last’ — And 500,000 Other Songs
.
AV Club – Universal Music Group disputes New York Times’ claim that 500,000 master recordings were lost in 2008 fire

Billboard original June 2, 2008 article – “Universal Music Group Masters Unharmed In Fire”

Andy Zax – “Goodbye, 20th Century!”: How Stupidity, Incompetence, Obsolescence, Carelessness, Greed, Malfeasance, Lazy Lawyers And A Basic Misunderstanding Of Physics Are—At This Very Moment!—Eviscerating What’s Left Of Our Musical Heritage

RIP: Anthony Randall, lost son of Johnny Flamingo

A few days ago, I received some very sad news from my friend Joe Macoll

Hello Eric, it breaks my heart to tell you Anthony Randall has died after a battle with motor neurone disease, he was a lovely man.

I remember when Joe introduced me to Tony back in 2008..

Hi Eric, today one of those strange coincidences that seem to thrive in the Louie world happened to me. I met up with an old friend, who I haven’t seen in ten years, since he moved from the U.K. to New Zealand. He in turn brought along a friend of his I hadn’t met before, and he hadn’t seen in thirty years, a guy called Tony Randall, and when Tony told his story to Brian, he said you must meet Joe.

Tony never met his father, who was an American airman based in the U.K in the 50`s, he`s now a journalist and published his story of the search for his father, in an article he wrote for one of our quality papers, in 2004, I remember reading it at the time, you can find the article here.

I remember you saying you had footage of an interview with Johnny Flamingo, and wondered if there was any way Tony could see this footage, as he has only photographs (and of course the music) of his father, nothing of him “walking and talking” so to speak.

Forgive the intrusion Eric, but my time spent with Tony convinces me he is one of the good guys, and if you could help, it would make his life.

Thanks, Joe

Johnny Flamingo in 2000 - LouieLouie.net

With an introduction from Joe, I did make contact with Tony, and I posted this footage of his father on YouTube. It was a humbling moment to meet his father 9 months before his untimely death in 200, especially as my footage turned out to be one of the few video clips of him in existence.


https://youtu.be/cYPj1H9b-DE

Tony’s story was quite remarkable, and I remember reading about his journey in a 2004 article he wrote for The (UK) Guardian entitled “Looking for Johnny Flamingo.”

It’s an excellent article, and it sounded like it would make a great documentary

Tony did visit me back in 2012. We spent the day yacking up a storm in Santa Cruz. I was happy to give Anthony permission to use my footage in his documentary… but I have no idea how far he got with that…

My deepest condolences to the family and friends of Anthony Randall.

– E.P.

Reference links:
The (UK) Guardian- Looking for Johnny Flamingo
Hail Hail, Johnny Flamingo… and Jeanette Baker!