Jonathan Richman & The Modern Lovers – LOUIE of the Week


Here’s a tasty little treat I’ve never heard or seen before – Jonathan Richman & The Modern Lovers, doing a live performance of LOUIE LOUIE!


I have no idea what day or location this performance took place, but if someone could let me know, that would be wonderful!

Thanks again to my pal Joe Maccoll for spotting this one!

LOUIE flashback – Election 1988


Back in 1988, Bloom Country, the brilliant comic strip by Berke Breathed, provided some special LOUIE LOUIE lyrics to celebrate the Presidential Election of United States, imagining different sets of LOUIE lyrics for each of the candidates – Mike Dukakis, George H.W. Bush, and Bill the Cat!

The Bloom County comic strip originally ran from 1980 until 1989, but was recently restarted after a 25 year hiatus, currently available via Facebook and

More details about the Bloom County universe can be found at:

Involuntary vacation at Louie Report?

This week, the website may look a little different. The layout is different, some photos may be missing, and there’s NO LOUIE of the Week.

We got hacked. We’re not quite sure how this happened, but we’re in the process of fixing things, with the hope that this sort of thing won’t happen again.

Bare with us. With any luck, we’ll be back to normal, or a new-improved “normal” by next week….

(UPDATE: The website was fixed within a week.)

Unknown KFJC version #332 – still unknown!

I had some feedback from someone that KFJC version #332 might be a recording by Karen Finley and/ or Teddy and the Fratgirls.

I did get some feedback from Karen Finley, and it’s definitely NOT her.

I’m not sure about Teddy and the Fratgirls, which may or may not have included Karen Finley.

The mystery continues…

Anniversary of KFJC Marathon – LOUIE of the Week


On Friday, August 19, 1983, KFJC began what turned out to be a major turning point in LOUIE LOUIE history with the MAXIMUM LOUIE LOUIE marathon:

1) The first meeting of Richard Berry, author of the song LOUIE LOUIE and Jack Ely, original vocalist with the Kingsmen, whose voice was heard on the world’s most popular version of the song.

2) A 63 hour marathon celebrating the song, with over 800 unique versions.

A world record worth acknowledging? We think so.

3) The starting point for what has turned into a massively ambitious documentary project, that is still a work-in-progress….

Yes, it is still happening…

RIP: Pete Fountain, jazz clarinetist – LOUIE of the Week


Pete Fountain, the goateed clarinetist who became a global ambassador of New Orleans jazz with his flawlessly slippery technique and joyful sound, died Saturday of heart failure while in hospice care in New Orleans.”

I borrowed that opening sentence from Randy Lewis’s fine obituary that was shared on August 6th in the Los Angeles Times.

I thought it was a perfect statement about Mr. Fountain well worth recycling.

The NOLA Media Group pointed out an unusual aspect of their native son of New Orleans (LOUISiana):

Unlike other musicians whose lives were marked by marital strife, substance abuse and run-ins with the law, Mr. Fountain lived a blissful existence with Beverly Lang Fountain, his wife of 64 years, and a sizable number of children, grandchildren and great-grandchildren.

“His love of family kept him going,” said Benny Harrell, Mr. Fountain’s son-in-law and manager. “He was very fortunate to be able to perform his music in New Orleans, whereas most musicians have to go on the road. People would travel here to see him.

“He had tours, but his life wasn’t spent on the road. … He was able to make his music here, performing the music he loved. He played the music he grew up with.”

Both of these articles provide excellent overviews of his musical legacy.

At the website, which offers a LOUIE-centric point of view, we provide a special type of linkage.

Pete Fountain shared his version of LOUIE LOUIE on his 1963 album entitled “I’ve Got You Under My Skin.”


This version was also included as part of Rhino Record’s “Best of LOUIE LOUIE – Volume 2” compilation that was released in 1989.


Ill Folks, aka The Blog Of Less Renown, Celebrating Under-Appreciated Unusual, Unique, Sick Or Strange Singers, Songwriters And Songs, shared a nice tribute to his version of LOUIE LOUIE a few years ago with a post entitled “Pete Fountain GOOSES “Louie Louie!”

One of the main problems with the song is to figure out what the hell to sing. It’s in a sort of incomprehensible dialect. Pete and the boys get around this by simply walking to the middle of the road, and crooning the song’s redundant two-word title. “Just pronounce it like it’s written….Looey Looey.”

Pete’s clarinet, over a slinky beat, gives a few torpid “ahh ooooh” honks, while the muted choir lumbers along, not sure what other lines they’re supposed to sing. Pete livens things up with some staccato squeaks…and this goes on just long enough (2:10).

When you visit the Ill Folks webpage, you can find a link to an MP3 file of this very special version!

Rest in peace, Pete Fountain!


Ill Folks – Pete Fountain GOOSES “Louie Louie
Los Angeles Times obituary on Pete Foutain
NOLA Media Group obituary on Pete Foutain
Discogs entry for Pete Fountain LP “I’ve Got You Under My Skin”

Some people believe that Paul McCartney‘s composition “Yesterday” may be the world’s most recorded song of all time. I happen to believe that Richard Berry‘s composition “LOUIE LOUIE” may be a better candidate for that particular title. On Pete Fountain’s album “I’ve Got You Under My Skin,” he shares his recordings of both of these two songs.

Can anyone think of another musician that might have released an album / CD that featured recordings of these two iconic songs?

Bangkok Blue -Louie’s In The House – LOUIE (Remix) of the Week


Here’s a LOUIE recording that I really enjoyed finding…

Blue Johnson aka Bangkok Blue did a jazzy remix of Richard Berry‘s original version, and shared with the world on YouTube.

Here’s a brief description from his YouTube page:

“Louie’s In The House” is a REMIX of Richard Berry‘s original recording of “Louie Louie”. Most people never realized that Richard Berry wrote and recorded the song in 1957. In 1963 the Kingsmen recorded the song and it became a world-wide mega-hit but there was never any mention that Richard Berry was the original writer of the song. Fortunately in the mid 80’s, Berry’s lawyers were able to prove in court that he had been illegally deprived of several million dollars in unpaid back royalties! Richard Berry finally won a lucrative settlement that put an end to one of the biggest rip-off attempts in the history of the music business!

In 2006 my son, James Ming Johnson and I decided to do this REMIX in honor of the late, great Richard Berry. Ming (who was in high school then), did all the digital sampling and engineering from the original 45 RPM single and he and I both programmed and added some keyboard parts in this REMIX.

This may become my favorite new LOUIE recording of the year, as I really enjoy hearing versions that don’t sound like any other versions… as well as hearing different variations of Richard singing that song…

Feel free to visit Blue Johnson / Bangkok Blue at his Facebook page:


A little over a month after I wrote this post about Bangkok Blue Johnson, I received this sad news about him today on his Facebook page:


I never met Mr. Blue Johnson, but we did make contact, and he was very grateful for the acknowledgement on these pages.

Rest in peace, my friend.

Motorheadache – LOUIE (tribute) of the Week


Today, we bring you a band that’s NOT Motorhead, but a band that’s so good at replicating ’em that you may have to pinch yourself…

Ladies and gentlemen, I bring you Motorheadache, providing this week’s LOUIE, live at Selby!

Of course, no Motorhead tribute band worth a damn can ever NOT play “Ace of Spades”…. so here tis…

Go visit the band’s official webpage at
or their Facebook page

They look like they’d be a helluva lotta fun to see…

I hope they play San Francisco some time…

Atomic Suplex – LOUIE of the Week


My friend Joe Macoll turned me onto the recording of LOUIE LOUIE by Atomic Suplex.

Here’s a little description from the band on how they came to record this song…

We don’t really do covers but when we were rehearsing for our second album a couple of years ago we did for some reason broke into an impromptu version of Louie Louie which was committed to tape. I forgot about it until the other day when I was looking to nick a loop of JDs Drums for a demo.

Ladies and gentlemen, I present to you this week’s LOUIE of the Week!

More details on the band can be found at:

RIP: Gary S. Paxton, legendary music producer


My friend Gary S. Paxton has passed away a few days ago.

Gary was an extremely talented musician that produced #1 hit records in rock, country and gospel music. As a singer-songwriter of a teenage duo with a hit song that sold a million records, he toured America with legendary DJ Alan Freed in 1959. From 1959 until the time of his passing, he produced thousands of records for a wide variety of musicians. He was both admired and feared by his peers including Phil Spector, Brian Wilson and Buck Owens.

I got to know Gary because of his connection with Richard Berry, songwriter of LOUIE LOUIE, as well as his role as producer of the first album by Paul Revere & the Raiders.

Gary, along with his then-business partner Kim Fowley, produced a handful of Richard Berry records in the early 1960s after Richard’s contract with the Flip Records label had expired.

One of my proudest moments was helping facilitate the proper reissue of these recordings, as well as the original Flip recordings, which both found a loving home with Ace Records of UK.

Gary S. Paxton’s first success in the music business was with the singing duo Skip & Flip, whose initial recording was “It Was I,” which entered the Billboard Top 20 in 1959, peaking at No. 11.

The duo consisted of Gary and Clyde Battin, who were both part of The Pledges, a rock band based in Tucson, Arizona.

As Gary explained to me, the song was originally a demo recording sent to record label that Gary didn’t follow up on. He discovered that the song became a hit record after he moved from Tucson to Tacoma, Washington. He heard the song on the radio while he was working a job picking fruit in an orchard, and didn’t even recognize his own voice. When he contacted Brent Records, the New York label that released this record, they told him they had been trying to get ahold of him, and immediately made plans for him to rejoin his old bandmate for a nationwide tour that included television appearances on American Bandstand.

The duo, which was re-named “Skip & Flip” by the record label, lasted for a few years before it dissolved, as their partnership fell apart when Gary’s wife decided to be with Clyde.

Gary moved to Hollywood, where he linked up with Kim Fowley to produce records together, which included “Alley Oop” by the Hollywood Argyles, their studio project that became a band, featuring with Gary on lead vocals.

After “Alley Oop,” Gary oversaw a similar project that he organized – Bobby “Boris” Pickett & the Crypt Keepers, who recorded a little song called “Monster Mash.”

There’s so much more that could be said about Gary S. Paxton…. so much more than I can share with this little blog post..

My friend Alec Palao, who oversaw all the great Ace reissues of Gary’s rock and roll legacy, shared what is likely to be one of the best tributes ever written for our friend.

PLEASE… click on this and read the whole article. It’s absolutely worth reading from start to finish.

In the meantime, I leave you with a short video… a small sample of some of the footage that I shot with Gary at his home in Nashville in 1998. He talks about his special storage trailer, the band Limey and the Yanks, Red West (Elvis Presley‘s bodyguard) and some of the recordings he did with Richard Berry.

Rest in peace, Gary.

We’re going to miss you…

Reference Links:
The official Gary S. Paxton webpage
The Ace Records obituary on Gary S. Paxton
The Wikipedia entry on on Gary S. Paxton